‘Deep Into a Person’s Soul’: An Interview with Caryl Phillips on Novel Writing Washington Square ReviewSeptember 5, 2025
Turning 'Towards the Possibility of Love': Megan Pinto on Closure, Openings and Experimentation Washington Square ReviewSeptember 5, 2025
Interview with Andleeb Shadani, Winner of the 2025 New Voices Award in Nonfiction InterviewsWashington Square ReviewMay 29, 2025
Hot Seat with Lisa Borst and Milo Walls Interviews, Misc, Staff PicksWashington Square ReviewJanuary 18, 2024
"Write a Memoir That Tells Me You’re Non-Binary Without Telling Me You’re Non-Binary”: An Interview with CJ Hauser InterviewsWashington Square ReviewJuly 5, 2023
Electric Synapses, Bureaucratic Power, and Performance: A Conversation With Wo Chan InterviewsWashington Square ReviewJune 24, 2023interview
LaTasha N. Nevada Diggs on "Village," retrieval, and erasure InterviewsWashington Square ReviewMay 2, 2023interview
Gina Chung’s "Sea Change" Is a Departure from Typical Asian American Narratives ReviewsWashington Square ReviewApril 5, 2023
On Hope, Mystery, and Friendship: An Interview With Franny Choi InterviewsWashington Square ReviewMarch 20, 2023
Where "the past meets the present”: An Interview With Laurel Richardson InterviewsWashington Square ReviewJanuary 23, 2023interview, visual art
Literary Roundup: Washington Square Review's 2022 Staff Picks Washington Square ReviewJanuary 2, 2023
“Lying is Essential to Poetry”: Emily Skillings on Holes, Collage, and John Ashbery InterviewsWashington Square ReviewDecember 2, 2022
“I Don’t Think Tragedy Informs the World”: A Conversation with Robert Wood Lynn InterviewsWashington Square ReviewNovember 1, 2022interview, poetry
Urban Poet Nathalie Handal on “Kaddish,” Allen Ginsberg, and “Volo” InterviewsWashington Square ReviewOctober 13, 2022interview, poetry
